To what extent did the emergence of immigrant communities after 1970 change structures of power within German popular culture?
Topic:
To what extent did the emergence of immigrant communities after 1970 change structures of power within German popular culture?
Description
The paper should use at least some of the sources listed below:
- Wolfgang Zank, The German Melting-Pot: Multiculturality in Historical Perspective, Basingstoke, Palgrave,
1998. - Dietmar Elflein, ‘From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in
Germany’, Popular Music, Vol. 17, No. 3 (Oct., 1998), pp. 255-265.
Aksoy, Ozan. “Music and migration among the Alevi immigrants from Turkey in Germany.” Ethnic and Racial
Studies 42.6 (2019): 919-936.
Jan Motte / Rainer Ohliger (eds.), 50 Jahre Bundesrepublik, 50 Jahre Einwanderung: Nachkriegsgeschichte als
Migrationsgeschichte, Campus, Frankfurt, 1999.
Yvonne Rieker, “Ein Stück Heimat findet man ja immer”: Die italienische Einwanderung in die Bundesrepublik,
Berlin, Klartext, 2003.
Bower, Kathrin M. “Minority Identity as German Identity in Conscious Rap and Gangsta Rap: Pushing the
Margins, Redefining the Center.” German Studies Review 34.2 (2011): 377.
Andy Bennett, ‘Hip Hop am Main: the Localization of Rap Music and Hip Hop Culture’, Media Culture Society,
Vol 21 (1999), pp. 77-91.
Gertrud Pfister, ‘Doing Sport in a Headscarf?: German Sport and Turkish Females’, Journal of Sport History,
Vol. 27, No. 3 (Fall, 2000).
Eckert, Stine, and Kalyani Chadha. “Muslim bloggers in Germany: an emerging counterpublic.” Media, Culture
& Society 35.8 (2013): 926-942.
